It seems to be a mystery among horror fans that Adam Robitel's "The Taking of Deborah Logan" wasn't released in theaters when so many subpar, by-the-numbers horror movies have been in the last few years. The film is so well executed that it's hard to have a gripe with any lack of originality it might exhibit from time to time. And it's very scary. Jill Larson's performance as the seemingly possessed lead character Deborah Logan certainly should be in the conversation as one of the best performances ever in a horror movie.
Haim Mazar and Logan Mader execute the score perfectly, with an excellent sense of when to bring the music to the fore and when to lurk in the background and create an atmosphere that gives movement and atmosphere to the onscreen environment without becoming cumbersome or muddling the dialogue. There's some tried and true methods on display here as well but like the film they work to provide exactly what's needed for good scares. The music rarely completely reveals itself as a point of focus for the viewer, and this augments the movie perfectly, but there are a few times the music is more noticeable and particularly effective, especially during the end credits, where a sparse piano and an ambient backdrop lend the perfect sense of unease. Highly recommended, particularly for fans of psychological horror.