Monday, October 26, 2015

"Beyond the Black Rainbow" by Jeremy Schmidt

This is just how I like it. Analog synths, mellotron choirs, surreal atmospheres, and jarring dissonant stabs work together to create the perfect mood for the score of Panos Cosmatos' midnight movie "Beyond the Black Rainbow". It's almost as if Jeremy Schmidt's excellent music was created specifically for me. That's what a good composer can make any listener think when they're experiencing his or her music - make them think it's just for them. Another thing a good composer does is heighten the experience of the film itself, because after all the ear informs the eye.  A movie with a great score is a much better movie, and that's the case here with "Beyond The Black Rainbow".

The film itself is a great sci-fi/horror/midnight movie. The color, the aesthetic, the atmosphere is perfect; it also looks like it was shot on real film. It reminds me a bit of the surreal world contained in the house of the final episode of David Lynch's "Twin Peaks", and a bit more obviously of Stanley Kubrick's "2001" and parts of "A Clockwork Orange" (Note the similarity between the poster above and the poster for the latter). Due to the surreal nature of the film, it's quite slow, so don't expect fireworks, (a lot of slowly tracking down hallways while Schmidt's score freaks us out) and don't expect a whole lot to happen, but there's a story there; a story that reminded me of George Lucas' thesis film "THX-1138" (if you haven't seen that definitely do it as soon as you can or risk living a life of regret). And also see "Beyond the Black Rainbow" - at the time of this writing is freely available to stream through Netflix.

No comments:

Post a Comment